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— by Eric "Scanner" Luce
SORA TOBU PENGUIN (The Flying Penguin) is a story that tends to bemuse,
amuse, frustrate, and relieve, not that unusual for stories by Wakuni
Akisato. In this story, we mix together three half brothers (well two
as one claims to be a sister), a poor girl, an errant mother, a vengeful
wife, her brother, and her philandering, rich, husband. Now, have the
poor girl stumble in between all three siblings; have her mother entertain
an affair with the rich husband; have the vengeful wife's life saved
by the poor girl's dead father eleven years ago and you start to get some
of the elements of this story. Oh, we forgot to mention that two of
the brothers hate each other and they are both practicing
pro-wrestling—on each other.
How the story begins: One day before summer break Hatsuko Kakurai's
life takes a severe turn. Her high school is on the peninsular tip of
Izu and is quite the average Japanese high school. Her friends tell
her about the special "Miss Izu" contest that is happening the next
day at the school fair, though.
Students from the Midori Yama (Green Mountain) school will be at the
school fair. Hatsuko at first fails to see why this is anything to get
excited over, but her friends help her put one and one together. The
Midori Yama school is up in Yokohama where all of the rich kids go.
They believe that perhaps some rich "prince" will see the winner of
the beauty contest and sweep them away to a nicer life. Hatsuko, being
a bit of a frail person, starts to get dizzy from the resultant blood
rush when she starts thinking about all these possibilities. A
classmate of hers, Tsubaki Todoroki, tries to shake Hatsuko out of her
dreams of a prince on a white horse. Other classmates note Tsubaki's
antics and deduce that he has a crush on Hatsuko.
At home that night, Hatsuko is still dreaming of big houses,
chauffeured cars, and wide canopied beds. Her reverie is interrupted
by her mother returning home. Hatsuko's first thought is that her
mother will prepare supper now. Instead her mother gives Hatsuko a new
pair of shoes and shows off the new silk slip that she has gotten.
Hatsuko exclaims that it must be expensive. Her mother goes on about
how it was designed by the super-maker of underclothing TAKAO. She
comments that Hatsuko is only fifteen and still a bit too young to
appreciate such things. Hatsuko replies that it is not that at all:
they are almost entirely out of rice and they have to eat something.
Hatsuko's mother seems unconcerned and calls out for Hatsuko to get
her a beer. Hatsuko muses to herself that her mother seems to have
gotten another boyfriend and that means she will probably go off
and abandon Hatsuko again.
At the school fair, everyone seems to be talking about the special
event that is to occur between someone named Ukon and Mario at three.
We then find out that it seems to be a wrestling match between two
brothers. We find the sister, Shikibu, of these two brothers talking
with her brother's trainer and very upset. Shikibu is worried that her
brothers will be taken by whoever the winner of this beauty contest
is. At this time the trainer's sister, Kayako, enters saying that
Shikibu should not worry so much. She has arranged the contest to
really be one where they pick the most unbecoming of the
contestants. This way they can insure that the winner will not catch
the interest of Ukon or Mario or any of the other boys from their high
school. Kayako seems to be doing this to make sure she, as queen of
the Midori Yama high school, is not upstaged by some Izu brat.
Meanwhile Hatsuko is finally making her way to the fair still hoping
for her prince to arrive and take her away from this life of poverty.
Passing by a cliff next to the sea, Hatsuko notices a woman staring out
into the water at the top of a very precipituous drop. Hatsuko
realizes this is the sort of place where people commit suicide and she
rushes out towards the person. Unsure of what to say she shouts out
"Konnitiwa!" The woman calmly turns towards Hatsuko and replies
saying that it is a nice day. The woman continues on that staring out
at the water here is her favorite place. Hatsuko, always blurting out
what is on her mind, thought the woman was going to jump. The woman
finds this very amusing, but suddenly gets serious saying that eleven
years ago that is almost what she did here—jump. Apparently at that
time she had been extremely depressed for she was raising three sons
that her husband had fathered; however, none of them were her children.
The woman suddenly notices that Hatsuko's new shoes are all scuffed up
from running over the stones, and she feels to blame for them being
ruined. She immediately offers to buy Hatsuko new shoes, but Hatsuko,
embarrassed, runs off. The woman calls out that when Hatsuko is done
she should come back near here and that her name is Michiko Takao.
Hatsuko replies over her shoulder that she is Hatsuko Kakurai.
Michiko watches her run off in shock. Something about the name Kakurai
is very important to her. Eleven years ago Michiko had met a Haruo
Kakurai.
After Hatsuko arrives at the school fair she attempts to screw up her
courage to sign up for the Ms. Izu beauty pageant. She is interrupted
by Tsubaki again. He tells her that it is foolish to hope for a
prince to come and sweep her away like in some fairy tale. It would be
like a penguin learning to fly. Hatsuko, rather annoyed at Tsubaki
begins flapping her arms about with a look of concentration on her
face. When Tsubaki asks what she is doing she says she is a practicing
penguin, learning to fly. Tsubaki tells her it is not possible and
she turns on him. He suddenly replies back that he has a serious crush
on her. This is not something that she wanted to hear and she ends up
running off.
Without looking where she runs, Hatsuko finds herself in a labyrinth
that had been setup for the fair. The sign outside warns that it is
dangerous for a single person to enter and that one should enter with
the person they like the most (ie: it is a tunnel of love of sorts).
Hatsuko immediately starts to scream for help. Ukon, our male
protagonist, shows up asking the person at the door to the labyrinth
what the problem is. The classmate of Ukon says that a girl ran in
there by herself. As Ukon enters the labyrinth the classmate asks if
it is alright and Ukon retorts that of course it is not alright.
Meanwhile, Hatsuko is having a relapse of when her mother abandoned
her for five days when she was very young. She passes out right as
Ukon arrives and carries her out of the maze.
So begins the story about the relationship between Ukon, Hatsuko,
Mario and Shikibu—with all of their parents, and even an odd
brother thrown in to the mix. This story has many different things
which make it enjoyable to read: First, it is never clear which way
the details of the story will go. Even though the reader suspects
what the ending will have to be, how it gets there is certainly not
the expected path. Secondly, there is enough up and down tension
between Hatsuko and all the other characters to make the reader want
to smack a number of characters several times with some common
sense. Woven through these twisted relationships (and some of them are
pretty twisted!) is a rather impish sense of humor that keeps the
story fresh and entertaining.
In an interview for NEWTYPE magazine the author, Wakuni Akisato, once
said that she did not really enjoy drawing because her art was not
very good, but that she drew manga because she loved to tell the
stories. It seems, though, that her art style is quite accomplished.
She has been a manga-ka for some time now and the way she draws her
characters shows her ability. She tends to use a rather fine line and
concentrates almost entirely on the characters instead of the settings
and backgrounds. The only exception is when the setting is the point
of a panel. Then she will concentrate on the background making it the
foreground so that it highlights just the elements you need to see in
order to get the point. For instance when she shows Hatsuko and her
mother at their poor little home, we see how small the place is, and
the lines in the walls taped over here and there. Or, when Hatsuko
first sees the chauffeured limo that Michiko Takao rides in, it stands
out from the rest of the frame almost like the perfect car commercial.
As an example of Wakuni Akisato's work SORA TOBU PENGUIN is the
longest of her stories. It keeps the reader engaged, amused, and
hopeful for what the ending will be. Written with generous furigana,
it remains quite approachable to almost all readers of Japanese. The
hardest thing to learn when reading her works is to know when she is
being serious and when she is being whimsical. This story does keep
its readers on the edge, wanting to know just how our heroine will get out of
her sticky situations, while also entertaining with all its
antics. If you are after a story like this that is easy to read, then
pick up SORA TOBU PENGUIN, or almost any of Wakuni Akisato's works.
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SORA TOBU PENGUIN
Copyright © Wakuni Akisato 1991-1994 Flower Comics/ Shogakukan
¥390 per volume
10 Volumes
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